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In
Italy, the Kingdom of the Two Sicilies was in the
forefront of philately, too. In fact, adhesive stamps
were first introduced in the Kingdom under the reign
of Ferdinand II .

1/2 GRAIN I Table + II Table
Paper of Naples |
The
first proposal of such a stamp was made to the
King in 1841 by architect Amy Autran, when she
came back from a trip to London, where she had
noted that the public had accepted with favour
the introduction of the first stamps.
Autran prepared some samples with the face of
Ferdinand II crowned with laurel in an oval
frame, after a drawing by a so-called Thomas
engraved by Wlliam Cave.
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These samples were printed using chalcography in sheets
with 15 stamps each, whereas the printing was made in
black, slate-blue, olive green and reddish brown.
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Unfortunately,
due to the slowness of bureaucracy, a Committee
to study “all necessary or useful improvements
to the General Administration of Royal Mail
and Courier” was established only in January
1857.
This Committee worked with promptness and on
16 July 1857 Ferdinand II could issue a decree
reorganising the Royal Mail.
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Sicily - The only letter
found in the United States, after crossing
from Marseille, Le Havre and New York, bearing
a three-colour wonderful stamp. It is a unique
and highly interesting document (Rothschild
former collection)
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It came into force on 1 January 1858, the very day in
which the first and sole issue was made:

Sicily- A sumptuous stamp
to Germany made up by six of the seven stamps
issued , among which the very rare 50 grains,
now known only in seven specimens on letters to
go abroad. This is a unique value, for its destination,
and its multicoloured and iridescent postage |
the use of stamp became compulsory for everybody
and also the fee was the same for all distances,
although it changed according to the volume
and weight of the letter.
«Moreover, the principle of uniformity
was deemed as the right one, because the postal
fee was seen as both a refund for a service
made by the State and as an indirect taxation
similar for all citizens. It was also seen as
a useful principle, since it would have certainly
increased the returns, and as a necessary one
because this simplification would have made
the use of stamps easy for everybody»
.
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The seven stamps were said to betray
a certain “monotony”, whereas on the contrary
they were not like all others existing in Italy because
each one of them showed a different frame. Pink was
the chosen colour for all of them.
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